Wednesday, 30 November 2011
Do you still remember April’s pretty days and that amazing single of Insomnium? We used to excite about little bit as it set the level so high, that One For Sorrow grew to be one of the most awaited albums. But so did a couple of others, that disappointed horribly – shall I even mention Hericrap? My nerves were in pieces as October came and it wasn’t at all due to studies’ begin. Did they manage the pressure???? Well, I’ll figure out for you.
Insomnium got us used to little introductions that help to focus all attention on them (doing 10things at a time may bring you to leaving unprofessional traces in professional works (silly comments in codes for example:P:P) or forgetting that your tomorrow’s dinner is yet on cooker... sec!) Well, Inertia is a really nice intro with a motive that will appear in latter parts of album. To be honest, after hearing the album a couple of times I get excited about this part immediately (mhm, reminds of favourite song!).
Through the Shadows is a classic Insomnium medley original mainly because of extra vocals – sounding like metal version of gospel rock support. It’s a frapping song, as it’s really catchy, but making me question their seriousness on HOW catchy they want to sound. The song seems to lack balance a bit, yet it’s a piece of good fun.
Song of the Blackest Bird is however a declaration – it’s still us kids! – low-voiced whispers, melancholic bridges and this overwhelming power they are so unique to provide! Nothing new, but that’s what we love in them.
Ha, but don’t you think they don’t change! Only One Who Waits begins almost trashy and keeps high pace with minor exceptions – that synth use really made me think of Amorphis – yet it’s drums that are biggest hero in here. If their concerts rock this much, shame on them for avoiding me!
A promo single – Unsung – is a furious song of frustrated, to-be-forgotten artist. A usual, epic composition with especially beautiful bridge
Only the frail words
Written in the stone
Retell my name anymore
How do we love this voice!
After madly growled Every Hour Wounds comes a calm, acoustic Decoherence – a cold stream between cracking rocks xd
It seems to me, that despite their energy, Insomnium must be very lazy guys, since they always make great songs with word ‘lay’ in titles. I loved Lay Of The Autumn, and I love Lay The Ghost To Rest – its melody, growls, drums and lyrics. For a moment I associate ‘lay’ with other words than ‘I’d love to lay down and sleep, just for a while’. Poor us, tired students.
But they make me Regain The Fire and my spirit screams with them
Destined to find my own way
To create the path to follow
And the scars of tomorrow
Will make you bleed only today
And the rain keeps falling
Pouring down from the sky
Washing footmarks from the mire
Leaving no trace behind
Oh, and that beautiful guitar combo in the end<3 Wake up, the best part of the album has began!
One For Sorrow is the highlight of the album. It’s growled, but quite calm. The lyric is heartbreaking, two lines of vocals in verses blend into perfect harmony, subtly strengthened by deep, low drums, even the simplicity of guitars seems a huge advantage. In one word – a masterpiece. Song I can listen to hundred times with getting bored. Thank you, Insomnium!
A bit unfortunately, the album doesn’t hang on this last, highly emotional notes, but remind of April’s single – Weather the Storm. My opinion hasn’t changed and you can find it in earlier post. I could only say I wish they put it somewhere before title song;)
How should I value this album then? They don’t bring revolution, yet I really like it. It’s hard to compare it with their earlier, pretty mature works (it's not as flawless as Across the Dark and has hardly as good songs as Last Statement) but none should feel ashamed, Insomnium is one of the few bands that may use mostly old tricks and a couple of new melodies and make a really solid thing that will make all of us headbang.. I’m in for it, rock on!
Tuesday, 15 November 2011
There won’t be much blabling today as the modest author is surrounded with lots of issues, not even closely connected to music. But a tiny, stubborn albumito forces its way through science books and demands attention. Well, how could one resist this temptation? Especially for you – The Guillotine Show of Kwoon – or the main suspect in the case ‘how come J. got an F from physics?
The execution is opened with church bells – did you pray well, my dear reader? be sorry for your sins and ask God for mercy as you walk your last steps. When we think of death it’s always a bit surrealistic and therefore the scary-cabaret-light flow of our song perfectly catches the atmosphere. A show after all, isn’t it? Are you scared..? I’m terrified, but with the spicy noise and sweet vocals and the way they combine.
Wark could be a first encounter in the afterworld. Ethereal, peaceful melody and beautiful lyrics
Hello, my friend, let’s go and forget
but also a bit of an emotional, post-rockish instrumental clash. If you ever get a chance – and I bet you shall, they do lots of tours now – you should hear that break live. Quite a hypnotising experience, guess myself kept staggering for a good week willing to forget everything but that tune...
Like an answer to shaky walk comes The Last Trip Of A Drunken Man – a cute, cute song I’m gonna sing to my kids someday:)) Kwoon has a luck to have 2-3 really good guitarist that make little wonders and a charming Mr Drummer (greetings from my bf!) who plays lovely effects on this one.
Emily Was a Queen so she got an enthusiastic support from the band. Though to me it’s a bit weird to sing ‘I feel down, so down’ while making such a merry noise, oh I love how Sandy’s leading his voice and Yoann has a really nice bassline pulsating with drums so nicely, that my heart will never slow too much down.
But getting to the guillotine isn’t a nice experience. Even if you accept your fate and step onto landing yourself, there stays some sadness. But be a Bird, my love, find a tree, heal your wounds and sing all your hope, despair and regret aloud. This song is a tear jerker, but it’s so mindblowingly beautiful! No other words from me!
The EP contains also acoustic version of I Lived On The Moon – the best hit of band so far (if you haven’t heard it yet, google video, NOW!) – it’s not better than original and I dare to say I like Wark equally and Bird incomparably more, still, nice accent, guys! See you again next year, as you promised! With a full album this time;)